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As Seen On Tv Richard Cooper Ii, After. Martins Tower Chepstow. Etching By John Grove Spurgeon. 1799. - Limited Release [DUfjLPvB]

$16.99 $54.99 -69%

Richard Cooper II's Martins Tower Chepstow This exquisite etching, "Richard Cooper II, after. Martins Tower Chepstow," is a testament to the artistic prowess of British landscape draughtsman and printmaker, Richard Cooper II. Created in 1799 by the t

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As Seen On Tv Richard Cooper Ii, After. Martins Tower Chepstow. Etching By John Grove Spurgeon. 1799. - Limited Release [DUfjLPvB]

Richard Cooper II's Martins Tower Chepstow

This exquisite etching, "Richard Cooper II, after. Martins Tower Chepstow," is a testament to the artistic prowess of British landscape draughtsman and printmaker, Richard Cooper II. Created in 1799 by the talented John Grove Spurgeon, this piece captures the essence of Martins Tower, Chepstow, often cited as the oldest surviving stone castle in Britain. This rare print is a part of a limited edition series, "Etchings & Aquatints by the Revd J. G. Spurgeon A.M.," and is a remarkable addition to any art collection.

Artistic Details and Specifications

The print measures 4 3/4" x 7 1/2" and is mounted on a backing sheet of 8" x 10". Crafted with meticulous attention to detail, this etching showcases the intricate patterns and textures of the castle's architecture. The use of etching on paper, laid down, and affixed to cardboard, adds depth and richness to the image. This piece is part of a book of nine prints, making it a unique and valuable artifact. The list of benefits includes:

  • Historical Significance: Captures the beauty and historical significance of Martins Tower, Chepstow.
  • Artistic Quality: Demonstrates the exceptional skill of Richard Cooper II and John Grove Spurgeon.

Provenance and Condition

This print comes from the esteemed Estate of George "Yorgo" Demetrakopoulos, a professor and esteemed member of the academic community. The print is in excellent condition, with only minor signs of aging. It has been trimmed to the borderline, with a part of the inscription cropped, but this does not detract from its overall beauty. A detailed condition report is available upon request. This print is a part of the British School XVIII C., and has been included in the British Museum's collection. The practical uses of this print include:

  • Art Collection: Adds a touch of historical elegance to any art collection.
  • Decorative Purpose: Enhances the aesthetic appeal of any room or space.

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