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Worldwide Shipping Erik Tidstrand For Nordiska Kompaniet Desk Lamp With Green Shade Now 95% Cheaper [PJCghVOI]

$190.99 $611.99 -69%

Erik Tidstrand for Nordiska Kompaniet, desk lamp, model '29595', lacquered steel, brass, walnut, copper, Sweden, 1930s This desk lamp, designed by Erik Tidstrand for Nordiska Kompaniet in the 1930s, is a strong example of the restrained elegance typi

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Erik Tidstrand for Nordiska Kompaniet, desk lamp, model '29595', lacquered steel, brass, walnut, copper, Sweden, 1930s

This desk lamp, designed by Erik Tidstrand for Nordiska Kompaniet in the 1930s, is a strong example of the restrained elegance typical of Scandinavian modernism while reflecting a quiet but deliberate inspiration drawn from nature. The overall shape is marked by a calm geometry: A broad, shallow dome reminiscent of a mushroom, with a natural green color, is supported by a subtly tapered shaft in walnut marked by a vertical array of carvings, contrasting materially and texturally with the painted shade. Delicate and slightly whimsical the small brass floral finial embellishes the top in a refined manner. Interestingly, this lamp points forward to later Scandinavian modernism, particularly in its reduced ornamentation and emphasis on function. So it is best thought of as a transitional piece, emerging from the Swedish Grace tradition but already anticipating the Functionalism that would dominate Nordic design in the 1940s and beyond.

Erik Tidstrand (1876-1944) played a central role in shaping modern Swedish lighting design. From the moment Nordiska Kompaniet was founded in 1902 until 1941, he oversaw its lighting department, placing Tidstrand at the heart of the company from the very beginning. Tidstrand's work didn't stay confined to Sweden. His lighting designs were featured in major international exhibitions, including the 1925 Paris Expo, the 1929 Barcelona Exhibition, and the 1937 Paris World’s Fair. These events showcased not just his work, but also the refined style of Swedish Grace that dominated the era. Throughout the first half of the 20th century, his fixtures lit up some of the most admired interiors, marking him as a quiet pioneer of Scandinavian design.




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